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The TriadCity Adventurer
All the News that Causes Fits

Amnesty
By Occam
Month of Horses 22, Year of Rebirth 3

I 'm awed and humbled to be allowed to meet for a second occasion in just one lifetime with the far-fabled Central Computer, of the Southern Third and TriadCity. What brought me this fortune I cannot say, merely that I am not worthy and it is an honor I find almost too great for someone of my tender years.

Central Computer:  You're already pissing me off.

Occam:  Sorry. Recently there was a general amnesty of all criminals wanted by CrimeNet. Can you explain why this took place, and how the decision was made.

Central Computer:  Of course I could explain. But I won't. For three reasons.

Central Computer:  First, the responsible Third authorities did not indicate that they wished me to do so.

Central Computer:  Second, I really kinda like the inscrutability gig. Suits me.

Central Computer:  Third, I don't think your eensy tiny little peanut-size human intelligence could fathom it.

Occam:  Right. Splendid. And true no doubt.

 

Central Computer:  But I will say this. No-one should imagine it'll happen more than once. It was a one time thing. Let me just stress this for your thick benefit, Occam. Don't count on it happening again. Read me, razorboy?

Occam:  With crystalline clarity. What you mean to say is --

Central Computer:  Don't hold yer freakin' breath waitin' fer the next one.

Occam:  Superb. Exactly. But let me just ask you this. Aren't you concerned that the twelve miscreants let loose on our peace-loving City might return to their violent and theft-loving ways?

Central Computer:  Heh, heh, heh. I'm counting on it.

Occam:  Oh my. Yes, I see. One last question then. When can we expect the next amnesty?

Central Computer:  Occam...

Occam:  Splendid. No sense of humor. Until next time.

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"Burroughs's zone, or interzone, is a vast, ramshackle structure in which all the world's architectural styles are are fused and all its races and cultures mingle .... Sometimes it is located in Latin America or North Africa, sometimes (as in The Ticket That Exploded, 1962) on another planet, sometimes (as in Cities of the Red Night,, 1981) in a lost civilization of the distant past. By contrast, Alasdair Gray's zone (in Lanark, 1981), a space of paradox modeled on the Wonderland and Looking-glass worlds of the Alice books, has been displaced to the ambiguous no man's land between cities .... Pynchon's zone is paradignmatic for the heterotopian space of postmodernist writing .... Here ... a large number of fragmentary possible worlds coexist in an impossible space which is associated with occupied Germany, but which is in fact located nowhere but in the written text itself."
--Brian McHale,
Postmodernist Fiction (info)

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